The real, and perhaps immense damage to the achievement of

The real, and perhaps immense damage to the achievement of "Bruno, a girl from the internet" Brazilian Marcus Baldini (Marcus Baldini) arriving at the local auditorium with so thick a delay in relation to its undoubted prekookeanskog creative counterpart - the film "Young and beautiful" ("Jeune & Jolie ", 2013) French director Fransoaza Ozona, although the productive epos born even a full two years earlier. In essence, these two works share not only a common inspirisanost-class models from famous cinematic past (new wave, Bunjuel), but also a stunning thematic, motivic similarity of character and with whom we are trying to show the fate of their juvenile or adult barely heroine, fatally rebel against epos environment in which they grow up.
Definitely some uronjenošću the gloomy world of prostitution and sex without emotion, these two films share a course-contradictory epos and voyeuristic epos formal appeal, but the esteemed Ozone obvious from the start was much easier and simpler to inflame the passions of the festival and critics, while Baldinijevo work unfortunately left on the margins epos of the global arthaus circles. In reality, however, the objective value of these two papers is inversely proportional to the attention of the successes that have been reaped, because while Ozonov movie in best dressed up and preliminary inarticulate excuse for barren middle aged fantasies on a selected topic, Baldinijevo work out of it still draws a lot more lethal social , economic and psychological poente, uncompromisingly confronting us with content that far transcends the confines of art skillfully zakamufliranog epos soft porn or something harder.
If you simply replace the names of the main characters and then close your eyes for short periods before unambiguous differences in language and milieu, the two aforementioned films like that really narrated the same banal story: a young girl and just grew from a wealthy family, carried adolescence confusion and bora hormones, abruptly left his previous comfortable life and overnight is transformed into a prostitute insatiable appetite. Add to that today indispensable help of the Internet and its parasitic social networks as (among other things) a proven and dangerous channels debauchery, and in front of you and all of us is a synopsis of that at some point handled and Baldini and Ozone, despite perfectly different starting points, and the feelings of the ultimate intentions.
In oveštalo buržuaskoj environment such as France, teenage rebellion that culminated in the quicksand of prostitution is an archetype with established tradition, a statement which superficially might not need any explanation, and therefore it is not surprising epos that his sketch Ozone launches epos and developed as spicy soap opera, sinful and almost sick crush on obespokojavajuću beauty selected protagonists. On the other hand, Baldini "Bruno, a girl from the Internet" is by no means such, self-sufficient copyright puppet, but a full-blooded and extremely complex character who load their own choices and decisions mainly passively carries on his own shoulders, probably naive and persistently believing epos in the pot of gold that each of us waiting at the end of his rainbow.
Identified primarily with the aim of funding, Ozone is deliberately sailed into called artistic complacency epos that any further discussion of his film seem redundant, while for Baldini painfully intoxicating sexual adventures of its title heroine definitely only important elements in general, polemičnoj and not at all optimistic picture of society that wants to reach . The dynamic transition areas with mostly young nation in perpetual motion, but also one of the fastest raging economy in the modern world, today Brazil is certainly not a place that has time for parlor metaphors and subdued social theorizing, but before the swarming grindstone which is easy to misinterpret the need for early and express egzistencijalbo-material epos independence and then get lost in the relentless race.
Determined and courageous, Bruno Baldini because - despite all the challenges and calamities - not among the victims of the tragic heroine ovovekovnog universe, because her beg of reality and consequently sexually udarništvo only tools which reaches one immensely intriguing individual looking for a permanent solution of the dilemma that is so powerfully shaken and motivate. It is precisely epos because of all this palpable epos uneasiness of body which necessarily causes epos this kind of "Bruno, a girl from the Internet" eventually subside and fade away, allowing epos the film to reverse the interesting testimony on roads and detours that are opening before the generations that are no doubt the future of our civilization zabludele. As an author, Markus Baldini this part may not be acquired as professional credits colic is deserved, but it is clear that in the coming time his film only grow in importance and value, proving that the memoirs of a modern geisha can be layered cinematograph document the high price of personal and social progress.
Related reviews: 12 Years a Slave (2013) Hotel Rwanda (2004) / Sometimes in April (2005) / Shake Hands with the Devil (2007)